This article explores the cultural impact of critical and popular biographi
es about Maud Gonne. By focusing on Gonne as primarily an object of Yeats's
desire, this biographical discourse, I argue, serves political and economi
c, rather than 'purely' literary, purposes: these biographies romanticize G
onne's considerable political contributions and capitalize on a flourishing
Yeats industry that reinforces the representation of Gonne as an interesti
ng but minor figure in twentieth-century Irish culture.