High art? No thank you. (Stephen Daldry's 'Billy Elliot' and Matthew Bourne's The 'Car Man', how dance interfaces with a popular audience)

Authors
Bramley, I
Citation
I. Bramley, High art? No thank you. (Stephen Daldry's 'Billy Elliot' and Matthew Bourne's The 'Car Man', how dance interfaces with a popular audience), DANCE THEAT, 16(4), 2001, pp. 44-47
Citations number
3
Categorie Soggetti
Performing Arts
Journal title
DANCE THEATRE JOURNAL
ISSN journal
02649160 → ACNP
Volume
16
Issue
4
Year of publication
2001
Pages
44 - 47
Database
ISI
SICI code
0264-9160(2001)16:4<44:HANTY(>2.0.ZU;2-1