The emergence of self figuration for the psychotic child in the framework o
f a workshop of individual painting initially comes about with the producti
on of sensori-motor forms rather than of figures with representational cont
ent. Based on observations during supervision in several painting workshops
in a dar hospital, it appears that the genesis of body figuration for the
psychotic child stems from corporality, for example in the rhythmic gestual
ity or in a body to body encounter with the pictorial material. Furthermore
, a possible appearance effaces or of human shapes often reflects, as in th
e pictorial work of Henri Michaux, a difficult emergence of the form which
is destined to disappear or to become monstrously distorted. This early ver
sion of self figuration passes by a process of the ungluing of skins, mater
ialized by the sheet of paper, conceived of as a psychic skin, in connectio
n with transferential dynamics. The therapeutic interest of pictorial media
tion in psychosis consists of proposing a task of creating figuration begin
ning with sensoriality, both from the child's senso-motricity and from the
sensory qualities of the pictorial material.