The poetry of Denise Desautels highlights the work of mourning: mourning fo
r family figures, objects of beauty, even language itself as a place of mel
ancholy. From one book to the next is created a vast poetic "tomb" sustaine
d by obsessive motifs such as death and words, ruins and tears, rooms and g
raveyards. Various rhetorical and stylistic markers support this thematic p
rogramme. Ritualistic incantation, theatricalization of affects, specular m
ultiplication and verbal expenditure, repetitive textual symmetries, mnemon
ic reduplication and and stories within stories are all techniques of lingu
istic volubility and pathetic saturation attempting to exorcise the drama o
f loss, at the level of "forms of expression," through lyrical flow and utt
erance. Anchored both in chronology and in the contrapuntal system of echoe
s reverberating from one book to the next, the polysemic reading suggested
here by Paul Chanel Malenfant is one in which the manufacture of the poem i
s literally governed by the work of mourning.