The paper comprises two readings of the work of Jean Baudrillard. The first
, by Richard Smith, locates itself amid the polarization of debate between
Marxism, postmodernism, and poststructuralism, which he claims is both ill-
judged and unproductive. In contrast to this standoff Smith argues the case
for a 'transgenic' or 'transversal' post-Marxism by demonstrating that the
oft-repeated claims for an 'epistemological break' between an early, Marxi
an Baudrillard and a later, postmodern Baudrillard are not borne out by the
evidence. Rather, Smith foregrounds the continuity of Baudrillard's work b
y highlighting how an antagonistic entwining of the semiotic and the symbol
ic structures Baudrillard's oeuvre. Crucially, Smith suggests that the poss
ibilities of post-Marxism will only come into clear view once the semiotic
logic at the heart of 'the general political economy of the sign' is freed
from the utopian mystique of symbolic exchange. In the second series of rea
dings, Marcus Doel engages with the spacing at play with Baudrillard's and
Smith's texts in an,attempt to demonstrate that they are perpetually turnin
g against themselves. By way of a series of angled, slanted, curvaceous, an
d suspended readings drawn from Althusser, Baudrillard, Deleuze, Derrida, a
nd Lyotard, Doel deconstructs Smith's post-Marxism in order to affirm the i
rreducible, aleatory drift of Baudrillard's spiralling texts.