The 'Origin of Kala': A Sundanese Wayang Golek Purwa play by Abah Sunarya and Gamelan Giri Harja I

These scenes from a performance done on December 24, l978, at Cibintinu nea r Bandung in West Java were presented in the style of wayang golek purwa--a wooden rod-puppet theatre telling Ramayana and Mahabharata stories that is popular among the Sundanese-speakers who live in this region of Indonesia. The dalang (puppetmaster), Abah Sunarya, was at that time one of the forem ost popular performers in West Java. In this genre intricately carved doll puppets dance to the music of the gamelan orchestra on a temporary stage se t up in front of the house of the person who has hired the troupe. The dala ng does the narration, singing, and dialogue with occasional comments or qu estions added by the musicians, especially the lurah sekar (head musician). The puppeteer and troupe perform on a raised stage; in front of it is a ba nana log placed horizontally to form the playboard where the puppets presen t the play. The play is at once an entertainment and an exorcism. As the pe rformance progresses, the puppets on stage all have their counterparts in t he ritual. But rather than a play within a play, this is a play within a ce remony where the script and ritual action intersect at key points. While th e mantras are efficacious regardless of the entertainment or educational va lue, there is no doubt that being able to point out parallels between the m ythic monsters and members of the Suharto family won this performer the rap t attention of his audience. Perhaps it was his renown as a dalang who did exorcisms that prevented the censors from stopping his performances.