The changes in wayang kulit purwa, shadow puppetry of Central Java, have be
en significant since independence was declared in 1945. Ki Nartosabdho was
one of the most important performers in the last quarter of the twentieth c
entury. This article explores Nartosabdho's impact and, by examining Sugino
, a dalang who has followed Nartosabdho's lead, the author gives a sense of
the debate of tradition versus modernity that rages in the world of wayang
.