The psychological world of The English Patient is explored to deepen the un
derstanding of schizoid states. The protagonist, Almas, is a remote desert
explorer whose triangular sadomasochistic affair with the married Katharine
destroys them all. His damaged skin is understood as a symbolic representa
tion of his psychological condition. For the schizoid, love consumes and le
ads to obliteration of the self, represented by the loss of identifying fea
tures, and to traumatic permeability (i.e., the loss of boundaries between
self and other, and between the ego and repressed desires). Other schizoid
themes are the animation of the inanimate, as in the depiction of the deser
t as a woman; hidden or buried identities; the digital and destructive expe
rience of emotion represented by the conundrum of the bomb defuser; the sen
se that everything good is imaginary and might suddenly explode; and the mo
ral unevenness of the characters. Almasy collaborates with the Nazis so he
can retrieve Katharine's three-year-old corpse, with which he has necrophil
ic contact in a cave. Fantasies of the lost object buried within the self,
of being buried alive, and of being skinned alive are related to the schizo
id condition. Hyperpermeability is proposed as a core schizoid state, under
lying schizoid withdrawal.