The traditional analog video broadcast standard is an interlaced format. In
terlace was included in the standards for television broadcasting for very
good reason; however, withe the introduction of digital video broadcast (MP
EG-2), we should reconsider the use of interlace as part of a digital video
chain. Moreover, video format conversation, in general, may also require r
econsideration as it can be performed either at the studio end (transmitter
side) or at the receiver end (television set). This paper examines the eff
iciency of MPEG-2 coding for interlaced and progressive video, and also com
pares de-interlacing and picture-rate upconversation before and after codin
g. We found receiver side de-interlacing and picture-rate upconversation, i
.e., after coding, to give better image quality at a given data rate. Moreo
ver, in contrast with other publications, we found interlaced video coding
to be better than progressive video for many relevant sequences, even when
comparing the results on a progressive display. The paper explains how thes
e earlier conclusions were drawn and why the new ones are better.