This is the first study in a Western language on bridal lamentations of the
Yangtze River delta region of China. It is also the first to examine Han C
hinese lamentations as examples of oral traditional literature with a parti
cular ritual and rhetorical strategy. Chinese women play only a minimal rol
e in Chinese ritual culture, which focuses primarily on ancestor rituals pe
rformed by men. Bridal and funeral lamentations, performed by women to an a
udience of their family and the local community, are significant because th
ey represent the two major occasions in the life of a woman when she is all
owed ritual self-expression in a public forum. Four major song portions fro
m different parts of the lamentation cycle are translated and analyzed here
. It is argued that the lamentations consist of formulaic sung chants compr
ising a mixture of quasi-narratives, rhetorical persuasions, blessings, and
curses, which are all performed at different stages of the lamentation rit
ual.