Are music and science different types of intelligence (as posited in the co
ntext of Howard Gardner's multiple intelligences), or are they two manifest
ations of common ways of thinking? By focusing on scientists who have been
musicians and on the ways they have used their musical knowledge to inform
their scientific work, the author argues in this article that music and sci
ence are two ways of using a common set of "tools for thinking" that unify
all disciplines. He explores the notion that creative individuals are usual
ly polymaths who think in trans-disciplinary ways.