Using recent regional brain activation/emotion models as a theoretical fram
ework, we examined whether the pattern of regional EEG activity distinguish
ed emotions induced by musical excerpts which were known to vary in affecti
ve valence (i.e., positive vs. negative) and intensity (i.e., intense vs. c
alm) in a group of undergraduates. We found that the pattern of asymmetrica
l frontal EEG activity distinguished valence of the musical excerpts. Subje
cts exhibited greater relative left frontal EEG activity to joy and happy m
usical excerpts and greater relative right frontal EEG activity to fear and
sad musical excerpts. We also found that, although the pattern of frontal
EEG asymmetry did not distinguish the intensity of the emotions, the patter
n of overall frontal EEG activity did, with the amount of frontal activity
decreasing from fear to joy to happy to sad excerpts. These data appear to
be the first to distinguish valence and intensity of musical emotions on fr
ontal electrocortical measures.