Iushkevich's works, which comprise numerous short stories and plays release
d between 1897 and 1927, while relatively unknown today even of specialists
, were very popular in their time. Iushkevich's first stories were received
favorably by Russian liberal intellectuals who saw in him a faithful paint
er of Odessa's Jewish lower classes. However, in some Jewish milieus he was
very soon blamed for dealing with such themes as Jewish prostitution or th
e disintegration of the Jewish family which could be harmful to an image-co
nscious community having to cope with a generally hostile perception in Rus
sian public opinion. Iushkevich's extremely negative unsubtle criticism of
Jewish capitalists and bourgeoisie in certain of his plays deviated towards
anti-semitism, raising a wave of indignation both in the Jewish community
and among certain Russian intellectuals. In this article we try to determin
e to what extent certain of Iushkevich's works are anti-semitic. We also ad
dress the question of the Russian-Jewish writer's status and how his depend
ence on Russian literature could lead him to adopt the anti-Jewish stereoty
pes that it traditionally conveyed throughout the nineteenth and twentieth
centuries. Placing Iushkevich's works back into the context of pre-1917 Rus
sia allows us to study the evolution of certain anti-semitic representation
s and to define their invariants which have through time constituted the ba
sis of anti-semitism.