Brazilian drama suffered a crisis during and after the dictatorship. At the
beginning of the nineties two playwrights, Luis Alberto de Areu and Alcide
s Nogueira, can be considered representatives of new dramatic tendencies in
tended to establish Brazil within world history. Using the critical analyse
s of Brazilian thought by Villem Flusser, this article argues that the new
tendencies consist of destruction of Western identity, history and culture
through the incorporation of Brazilian elements. Although superficially the
y seem to be similar to the Western contemporaries in using non-linear dram
aturgies and intertextual strategies, the Brazilian authors are looking for
the proper aesthetics, thus foregrounding their non-historical, non-Christ
ian and non-western roots and ways of thinking.