Fathers were recorded singing a song once to their infants and once in the
absence of their infants. Adults readily identified fathers' infant-directe
d renditions and rated them as more rhythmic, loving, and appropriate for i
nfants than the infant-absent renditions. Unlike mothers, however, fathers
did not consistently raise the pitch of their infant-directed versions. Mor
eover, infants showed no preference for infant-directed over infant-absent
versions unless the infant-directed versions were higher in pitch. Neverthe
less, infants showed greater visual attention when listening to fathers' si
nging than to mothers' singing, The results confirm that a distinctive infa
nt-directed style is used by singing fathers as well as mothers, that pitch
height is a salient dimension of songs for infant listeners, and that fath
ers' singing in general is highly engaging to infant listeners.