Baudelaire's prose poem form emerges from a productive tension between his
verse and critical prose writings. This prose constitutes the textual enact
ment of an "aesthetics of transgression" which, as articulated in Baudelair
e's "Exposition universelle de 1855", locates beauty in the violation rathe
r than application of aesthetic rules and norms. The article recasts Baudel
aire's self-contradictory elements as a series of self-violations, performa
tive instances of the "beau bizarre" he valorizes, a process demonstrated t
hrough an integrated reading of the textual "interpenetrations" within and
among "Notes nouvelles sur Edgar Poe", "La Beaute", "Hymne a la beaute" and
"La Chambre Double".