in much of the theoretical analyses of text processing, it is assumed that
text should be thought of as a form of communication between the author and
the reader. This conception is analogous to the communicative model used f
or analyzing conversation. We argue that this text-as-communication model i
s inappropriate for many forms of written discourse and for fictional narra
tive in particular. Unlike oral communication, the author is not physically
present, the author is usually not the implied speaker of the text, and re
covering the author's intended message can be problematic. Consequently, we
feet it is more productive simply to view the text simply as a stimulus. I
n trying to understand how readers process that textual stimulus, it is imp
ortant to specify the features and characteristics that can be objectively
found in the text, but it is not important to know what the author may or m
ay not have intended.