Heinrich von Kleists life was shaken repeatedly by negative life-events, fi
nally he committed suicide in his last life-crisis (1811). His work was mos
tly understood as descriptions of negative life-events and failed-being. In
this article it will be shown that in at least two,"crises" Kleists work c
an be understood as a creative overcome of those. Kleist shows in his "Essa
y to Find a Sure Way to Happiness" (1799) his way of solving his "Soldier-C
risis" (1798), a depressive episode. In "The Broken Jug" (1802 - 1805) he s
hows the implications of a philosophical problem experienced in his "Kant-C
risis" (1801) and offers chances to overcome this particular crisis, which
still seems to be an actual problem of ourselves. Though his crises must be
understood as depressive episodes, at least the,"Kant-Crisis" with its con
nections to philosophical and artistical matters seems to be more complicat
ed than a simple depressive syndrome. Kleist formulates his basic life-expe
rience, to be repeatedly shaken by "crises" respectively depressive episode
s and the necessity to overcome each in a new way of living.