Based on the study of four works of fiction produced between 1847 and 1981,
we attempt to define the main characteristics of the Patriot as a novelist
ic figure. This study confirms Maurice Lemire's analysis of a reluctance to
represent the Rebellions and their actors and a hesitation to take a posit
ion on the events. Our reading of a restricted corpus also reveals a number
of constant elements in the presentation of the historical Patriot: locate
d on the margins of official political and military history, the 'real' Pat
riot is often not a Patriot. His commitment, while focused on the well-bein
g of his family or parish, transcends family and parish limits to reach the
universal well-being of humanity. At the same time, attachment to country
and family is not inherited directly from the father: in every case, the 'r
eal' Patriot has a problem of paternity or filiation, so that the descendan
ce of the race of Patriots follows a forking path.