Biologically relevant sounds such as speech, animal vocalizations and music
have distinguishing temporal features that are utilized for effective audi
tory perception. Common temporal features include sound envelope fluctuatio
ns, often modeled in the laboratory by amplitude modulation (AM), and start
s and stops in ongoing sounds. which are frequently approximated by hearing
researchers as gaps between two sounds or are investigated in forward mask
ing experiments. The auditory system has evolved many neural processing mec
hanisms for encoding important temporal features of sound. Due to rapid pro
gress made in the field of auditory neuroscience in the past three decades,
it is not possible to review all progress in this field in a single articl
e. The goal of the present report is to focus on single-unit mechanisms in
the mammalian brainstem auditory system for encoding AM and gaps as illustr
ative examples of how the system encodes key temporal features of sound. Th
is report, following a systems analysis approach, starts with findings in t
he auditory nerve and proceeds centrally through the cochlear nucleus, supe
rior olivary complex and inferior colliculus. Some general principles can b
e seen when reviewing this entire field. For example, as one ascends the ce
ntral auditory system, a neural encoding shift occurs. An emphasis on synch
ronous responses for temporal coding exists in the auditory periphery, and
more reliance on rate coding occurs as one moves centrally. In addition. fo
r AM, modulation transfer functions become more bandpass as the sound level
of the signal is raised, but become more lowpass in shape as background no
ise is added. In many cases, AM coding can actually increase in the presenc
e of background noise. For gap processing or forward masking, coding for ga
ps changes from a decrease in spike firing rate for neurons of the peripher
al auditory system that have sustained response patterns, to an increase in
firing rate for more central neurons with transient responses. Lastly, for
gaps and forward masking, as one ascends the auditory system, some suppres
sion effects become quite long (echo suppression), and in some stimulus con
figurations enhancement to a second sound can take place. (C) 2001 Elsevier
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