Should relations between national literatures be conceived on the model of
international competition between states? Christopher Prendergast assesses
a bold French attempt to analyse the historical dynamics of the 'world repu
blic of letters', from the Renaissance to the present day with Paris emergi
ng as an unexpectedly durable capital. Were national determinations of lite
rary projects always so predominant, and what of cross-cultural variations
in the meaning of literature itself?.