The struggle between content and form is one that has plagued historians fo
r more than a century. In many ways, the field of history--and of historiog
raphy--as we know it was in its infancy during the Victorian era. concurren
t with its development was that of the historical novel. Inspired by the co
mmercial and popular success of these novels, many historians attempted to
make their accounts read more like fiction. This blurring of the line betwe
en history and fiction appears to have given more authority to pure fiction
as historical source. Thus it becomes fruitful to examine the works of the
se 'unconscious historians' in order to reveal another side to history. Tho
mas Hardy, in particular, is an extremely valuable source for the history o
f life in southwestern England during the nineteenth century. He achieves t
he creation--usually unconscious--of historical documents through the mediu
m of fictionalized social commentary. What this does is to create a record
of rural society for later generations to examine as both a work of deliber
ate fiction and as a historical creation. His novels, informed as they are
by his own experiences rather than simply by book-knowledge, is an accurate
account of rural life through all of the century's developments, one which
provides us with an alternative to academic cultural histories.