The image of man and woman in Dutch 'huiselijke' or homely poetry (1800-184
0) is contrasted here with the image the later writer Potgieter used. In th
e homely poetry, man claims the perspective for himself and implicitly plac
es himself in the tradition of the philosophy of happiness and of the man o
f feeling in Sentimentalism. Homely poetry describes the happy man. There a
re several reasons why there is no place for female poets. While the image
of woman is scarcely developed in homely poetry, Potgieter is shown to have
invented a new female tradition in his early prose texts (1840-1845).