In June, 1790, in the midst of politically charged debates in Britain over
the tiny trading port of Nootka Sound, on the west coast of what is now cal
led Vancouver Island, a play opened in London that performed events both in
the colony and at home--as the country prepared for war with Spain. In thi
s article, I trace the historical and theatrical context of the staging of
Nootka Sound; Or, Britain Prepar'd at the Theatre Royal, Covent Garden. Cre
atively using the possible attendance of George Vancouver at the opening pe
rformance. I consider attendance of George Vancouver at the opening perform
ance, I consider the ambivalent role this production played in the hegemoni
c operations of Empire in the late eighteenth century. Appearing centrally
within the imperial dramatic apparatus, it nonetheless contained considerab
le doubt and dissent, even anti-colonial assertion. In its direct engagemen
t with both the locale and the politics of the west coast, I make a case fo
r calling Nootka Sou nd: Or, Britain Prepar'd British Columbia's first play
.