In this article, I demonstrate that the intersection of race, class, genera
tion, and education had a decisive impact on African American rock musician
s who came of age during the post-civil rights era from the late 1960s to t
he present. By analyzing life stories, I connect rock musicians' experience
s with school desegregation to the position they occupy between black and w
hite mainstreams and discuss how they critique discourses of black authenti
city through the identities and practices they have produced as members of
the Black Rock Coalition. I also consider the effects of racism and raciali
zing discourses on this group of African Americans.