In the first part of the article the author introduces Fredric Jameson as a
central figure in contemporary theoretical thought and cultural debates wi
thin the United States, pointing out the relatively scarce critical attenti
on he has received in Western Europe and some problematic aspects of his th
ought from the Third World viewpoint. In the second part Jameson's major wo
rks and intentions are presented, with the focus being on his writings on a
rt and culture. In the third part Jameson's return to Hegel's philosophy is
discussed, and its consequences for art, culture, philosophy and theory ar
e presented. Finally, the critical role of art within postmodern society is
examined, and the question of the "corrent form of art" is raised.