It would seem desirable for any state to gain an ideological foothold in lo
cal knowledge and symbols to facilitate the assimilation of its order by av
erage citizens and to argue for its legitimacy. However, given the "lived r
eality" of local knowledge and its practical and symbolic "efficacy," as gu
aranteed in part through the skills of ritual specialists not in the servic
e of the state, the introduction and maintenance of state ideology is neith
er an issue of facile appropriation of local symbols nor a straightforward
imposition on local knowledge. The complexity of the architectural and ideo
logical scaling up from traditional house to "palace" and polity are discus
sed for nineteenth-century Imerina, Madagascar, using ethnohistorical, arch
aeological, and ethnographic information. We attempt to present this argume
nt through the use of evocative concrete imagery, one stylistic aspect of l
ocal knowledge, rather than through an exclusive use of analytical, abstrac
t declarations.