With a lawsuit implicating Natural Born Killers in real-world violence stil
l pending, the representation of violence in Oliver Stone's 1994 film remai
ns a controversial issue. This article examines the gendering of violence-b
oth in the film itself and in three of the most infamous 'copycat' cases-an
d demonstrates that the apparently gender-neutral term 'natural born killer
s' is used to disguise the normalisation of male violence on- and off-scree
n. While male violence is normalised, it is argued that representations of
female violence emphasise transformation and undercut women's violent subje
ctivity through a re-positioning of women as erotic objects.