As common features of everyday interaction, social accounts have been
studied by scholars from a variety of disciplines. Despite an impressi
ve quantity of research on this topic, however, relatively little of i
t has focused on the interactional dynamics of the accounting process.
This research analyzes account sequences from literary fiction in ord
er to (a) reveal the basic dimensions of account sequences, (b) identi
fy those linguistic moves that mark the beginning and ending of accoun
t sequences, and (c) discover the types of linguistic moves that are c
ommonly employed in account sequences. Analysis of these sequencer sho
ws that, although traditional models of account sequences are often ad
equate for the description of dyadic interaction, making sense of acco
unt sequences generated by triads and larger units requires a more com
plex model of the process.