The literature on highly significant dreams is filled with references to th
e bizarreness of their content. On the other hand, the concept of beauty is
rarely if ever mentioned in relation to these dreams. Grounded in archetyp
al psychology's tenet that psychological life is aesthetic life, this artic
le argues that the enduring, even life-long, influence some dreams have on
the dreamer's life may be better approached through the idea of beauty than
through the idea of bizarreness. The argument builds on Hunt's (1989, 1995
) theoretical model of the nature of consciousness and dream multiplicity w
ith its emphasis on cross-modal synesthesia as well as on insights provided
by Scarry's (1999) recent essay on beauty. A detailed account of how one c
omposer's work, was profoundly influenced by his most significant dream is
presented to illustrate this aesthetic approach to understanding the on-goi
ng significance of significant dreams.