Common variability patterns for timing, articulation, and loudness were ext
racted by means of principal component analysis from music performances int
ended to express anger, fear, happiness, or sadness. Synthetic performances
were generated with either timing, articulation, loudness. or no variabili
ty, which were rated by 10 musically experienced listeners on 10 adjectives
, including the original emotions. Correlations were found between the rati
ngs and two mathematical properties of the patterns, namely fractal dimensi
on and durational contrast. The results suggest that both these properties
describe relevant characteristics of the variability patterns, and that the
y play a role in emotional expression. Different roles for these properties
in timing, articulation, and loudness variability were indicated. These fi
ndings may facilitate comparisons between different expressive domains, suc
h as music, dance, speech, and body motion.