Determining whether two patterns of neural activity describe the same objec
t is a general problem that serves as siren call to philosophers as well as
psychologists and neuroscientists. In the accompanying article, Bedford ar
gues that, despite many different guises, different instances of the object
identity problem can be understood in the same abstract framework. Conside
red are apparent motion and stereo matching among many others. The proposal
is that there is a one to one relationship between the hierarchy of geomet
ries in Felix Klein's Erlangen program and the hierarchy in the organizatio
n of the brain's perceptual systems. The principal consequence of this idea
is that the hierarchy of geometries provides an ordering on the likelihood
of perceiving correspondence in two sensory patterns. This provides an emp
irical prediction, but one with plenty of wiggle room as we shall see. Bedf
ord's paper compels us to examine whether all sensory processes are isomorp
hic in being describable in terms of common mathematical, information theor
etic, computational, or biological principles. If so, how rich are these pr
inciples in suggesting experiments, and is Klein's geometric hierarchy a se
nsible candidate for understanding shape perception, object correspondence,
identity, and binding? I shall focus on apparent motion and stereopsis bec
ause, while stereo and motion are formally similar, much experimental work
demonstrates that they are subject to very different limitations. I shall e
xamine constraints on stereo correspondence, and explore an apparently para
doxical aspect of stereo matching when viewed from the perspective of the K
lein hierarchy. Since our visual system is willing to tolerate great differ
ences between the first and second stimuli in apparent motion, it is diffic
ult to assess the idea that a hierarchy of geometries imposes an ordering o
n the likelihood of perceptual correspondence. To circumvent this difficult
y, some experiments have employed a competitive motion paradigm in which a
single object is succeeded by two objects and a choice of motion direction
is required. However, some scrutiny suggests that the interpretation of the
se experiments is not straightforward, and hence offers less than compellin
g evidence with respect to the hierarchy of geometries. Finally, while it m
ay be true that the purpose of the theorists is to polarize the experimenta
lists, a good theory should be fecund in suggesting new questions as well a
s being open to refutation. The value of the Erlangen program for understan
ding perception is not yet clear on either count.