The writing of poems in association with objects that were exchanged as gif
ts became a common practice in eleventh-century China. Two sets of poems by
Huang T'ing-chien written in 1086 in response to gifts of incense provide
an index of his poetic techniques and an instructive contrast with the tech
niques of Su Shih. In the first set, Huang sees incense in terms of the pro
cess by which it is made or the ways in which it functions in the life of t
hose who use it; there are both social and religious themes. Huang also exp
lores in complex and subtle ways the multiple meanings of words, a central
theme of his poetics. In the second set, Huang T'ing-chien enters into seve
ral exchanges of poems with Su Shih. Su characteristically makes us see his
active mind interpreting the world and interacting with the other party to
the poetic exchange; Huang also shifts his focus to his friendship with th
e other poet, but he does not depart from the incense theme, as Su does. Fi
nally, an unrelated pair of poems written in jest takes us back for a concl
uding look at Huang's primary interest: the contingent reality of both ince
nse and words.