Starting with the central significance of autobiography for constructions o
f national identity, this essay examines the potential inherent in autobiog
raphy as a form of cultural agency capable of offering models of social exi
stence based upon tolerance and pluralism. The issue of a possible nomadic
poetics as manifest in autobiography is addressed through a reading of a re
cent autobiographical text by one of the most important contemporary Austra
lian writers, David Malouf, 12 Edmondstone Street (1986). Malouf's autobiog
raphy depicts a childhood in Brisbane under the sign of exile and marginali
ty. The aporias created by the apparent tension between roots and nomadism
form the mainspring of Malouf's writing enterprise, and in turn work to evo
ke a decentered, fragmented version of Antipodean identities, one which acc
urately corresponds to the multiple realities on Australian destinies.