To examine the relation between timing and force control during finger-tapp
ing sequences by both the 10 pianists and the 13 nonpianists, participants
tapped a force plate connected to strain gauges. A series of finger-tapping
tasks consisted of 16 combinations of pace and peak force. Analysis showed
that pianists had smaller correlation between intertap interval and peak f
orce than nonpianists. Thus, force control was more independent of timing f
or pianists than for nonpianists.