We report four experiments investigating the perception of photographi
c quality continua of interpolated ('morphed') facial expressions deri
ved from prototypes of the 6 emotions in the Ekman and Friesen (1976)
series (happiness, surprise, fear, sadness, disgust and anger). In Exp
eriment 1, morphed images made from all possible pairwise combinations
of expressions were presented in random order; subjects identified th
ese as belonging to distinct expression categories corresponding to th
e prototypes at each end of the relevant continuum, This result was re
plicated in Experiment 2, which also included morphs made from a proto
type with a neutral expression, and allowed 'neutral' as a response ca
tegory. These findings are inconsistent with the view that facial expr
essions are recognised by locating them along two underlying dimension
s, since such a View predicts that at least some transitions between c
ategories should involve neutral regions or,identification as a differ
ent emotion. Instead, they suggest that facial expressions of basic em
otions are recognised by their fit to discrete categories. Experiment
3 used continua involving 6 emotions to demonstrate best discriminatio
n of pairs of stimuli falling across category boundaries; this provide
s further evidence of categorical perception of facial expressions of
emotion. However, in both Experiment 1 and Experiment 2, reaction time
data showed that increasing distance from the prototype had a definit
e cost on ability to identify emotion in the resulting morphed face. M
oreover, Experiment 4 showed that subjects had some insight into which
emotions were blended to create specific morphed images. Hence, categ
orical perception effects were found even though subjects were sensiti
ve to physical properties of these morphed facial expressions. We sugg
est that rapid classification of prototypes and better across boundary
discriminability reflect the underlying organisation of human categor
isation abilities.