In memory-matching techniques, the remembered colour might differ front the
original colour even if the viewing situation is the same. Our aim was to
point out whether these so-called memory shifts are significant in the ever
yday situations of viewing photos depicting sky, skin, or plant, or viewing
standalone uniform colour patches of sky, skin, or plant colours. In many
cases, significant memory shifts have been found Considering only one type
of object (sky or skin or plant), memory shifts turned out. to be systemati
c in the sense that they were directed toward specific intervals of hue, ch
roma, and lightness. This tendency was more explicit for photos than for st
andalone colour patches. A method to quantify prototypical colours and thei
r tolerance bounds was suggested. (C) 2001 John Wiley & Sons, Inc.