This paper deals with the sudden change in the mood, themes and style of Ko
rean literature in the 1990s, which was brought on by the inauguration of t
he first civilian government in three decades and the lifting of the oppres
sive shadow of military dictatorship. Under military dictatorship, serious
Korean writers all felt obligated to be the conscience of the nation, so th
e emphasis of their works tended to be on social and political injustice an
d the lives of the exploited workers or helpless and powerless citizens. Th
eir tone, therefore, was that of harsh protest. However, with the demise of
military dictatorship, Korean writers felt free to focus on personal relat
ionships and the inner psyche. Shin Kyoung-suuk and Choi Yoon are just two
among the many new talents who emerged in the Korean literary scene since t
he end of the 1980s. They awakened the deep-seated repression of the Korean
psyche and fueled the exuberance of psychic liberation.