Goal-directed, coordinated movements in humans emerge from a variety of con
straints that range from 'high-level' cognitive strategies based oil percep
tion of the task to 'low-level' neuromuscular-skeletal factors such as diff
erential contributions to coordination from flexor and extensor muscles. Th
ere has been a tendency in the literature to dichotomize these sources of c
onstraint, favouring one or the other rather than recognizing and understan
ding their mutual interplay. In this experiment, subjects were required to
coordinate rhythmic flexion and extension movements with an auditory metron
ome, the rate of which was systematically increased. When subjects started
in extension on the beat of the metronome, there was a small tendency to sw
itch to flexion at higher rates, but not vice versa. When subjects: were as
ked to contact a physical stop, the location of which was either coincident
with or counterphase to the auditor) stimulus, two effects occurred. When
haptic contact was coincident with sound, coordination was stabilized for b
oth flexion and extension. When haptic contact was counterphase to the metr
onome, coordination was actually destabilized, with transitions occurring f
rom both extension to flexion on the beat and from flexion to extension on
the beat. These results reveal the complementary nature of strategic and ne
uromuscular factors in sensorimotor coordination. They also suggest the pre
sence of a multimodal neural integration process-which is parametrizable by
rate and context - in which intentional movement, touch and sound are boun
d into a single, coherent unit.