Defining historical, biographical, and literary contexts for Smith's writin
gs, I analyze his oblique, elliptical style and discuss his approach to the
portrayal of heroes. Sith's consistent focus, even in such non-sf as Ria (
1947), Carola (1948), and Atomsk (1949), is on isolated protagonists caught
in a maelstrom of contrary impulses; Martel in 'Scanners Live in Vain' is
torn between body and spirit, domesticity and duty, indoctrination and inde
pendent thought. Sith's sf also assesses the 'human' cost of shifting parad
igms--sudden social and scientific change--and provides a haunting critique
of social control, a matter addressed covertly in his fiction and quite op
enly in his military intelligence textbook, Psychological Warfare (1948). I
nherently speculative, science fictional, in his bold extrapolation (into a
very far future) of postwar social nad epistemological issues, Smith is un
ique among postwar writers in rejecting the violence and xenophobia of the
popular tradition and also the tidy closure of Campbellian hard sf. During
the 1950s and 1960s, his enigmatic stories redrew the boundaries (and re-st
ocked the visionary imagery) of science fiction.