Citation: R. Frautschi et P. Thoiron, TOWARD A NARRA-TOPOGRAPHY - A PILOT-STUDY APPLIED TO DURAS,MARGUERITENOVEL MODERATO CANTABILE, Computers and the humanities, 27(4), 1993, pp. 235-247
Citation: S. Clausing, AN INFINITE-ORDER SOLUTION TO THE EDDINGTON PROBLEM OR GETTING MONKEYS TO TYPE SHAKESPEARE, Computers and the humanities, 27(4), 1993, pp. 249-259
Citation: M. Longeart et al., FRAME-BASED REPRESENTATION OF PHILOSOPHICAL SYSTEMS USING A KNOWLEDGEENGINEERING TOOL, Computers and the humanities, 27(4), 1993, pp. 261-275
Citation: B. Hendersonsellers et D. Cooper, HAS CLASSICAL-MUSIC A FRACTAL NATURE - A REANALYSIS, Computers and the humanities, 27(4), 1993, pp. 277-284
Citation: Pd. Nixon, PROJECT REPORT - THE USE OF PILOT TO TEACH INFORMATION TECHNOLOGY CONCEPTS, Computers and the humanities, 27(4), 1993, pp. 285-289
Citation: Jc. Crain et R. Kunkle, CLASSROOM PRESENTATIONS USING ALDUS PERSUASION - PROFESSIONAL AND IMPRESSIVE, Computers and the humanities, 27(4), 1993, pp. 299-304
Citation: Sd. Nell, TOWARD A THEORY OF RHYTHM IN FRENCH POETRY - COMPUTER-ASSISTED RECOGNITION OF RHYTHMIC GROUPS IN TRADITIONAL ISOMETRICAL ALEXANDRINES, Computers and the humanities, 27(3), 1993, pp. 185-223
Citation: Re. Overill, ON THE COMBINATORIAL COMPLEXITY OF FUZZY PATTERN-MATCHING IN MUSIC ANALYSIS, Computers and the humanities, 27(2), 1993, pp. 105-110
Citation: N. Nettheim, ON THE ACCURACY OF MUSICAL DATA, WITH EXAMPLES FROM GREGORIAN CHANT AND GERMAN FOLKSONG, Computers and the humanities, 27(2), 1993, pp. 111-120
Citation: M. Olsen et Am. Mclean, OPTICAL CHARACTER SCANNING - A DISCUSSION OF EFFICIENCY AND POLITICS, Computers and the humanities, 27(2), 1993, pp. 121-127