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Results: 26-50/717
Authors:
Bruzelius, C
Citation: C. Bruzelius, "A torchlight procession of one" - The choir of Santa Maria Maggiore in Barletta (Apse reconstruction), REV ART, (125), 1999, pp. 9-19
Authors:
Franzoni, C
Citation: C. Franzoni, Between painting, archaeology and museography: The Antiquarium of Michele Fabrizio Ferrarini, REV ART, (125), 1999, pp. 20-31
Authors:
Simonneau, K
Citation: K. Simonneau, A political re-reading of Titian's 'Rape of Europa': Philip II and the Turks, REV ART, (125), 1999, pp. 32-37
Authors:
Gady, A
Citation: A. Gady, A panel from the old Paris Hotel de Ville - Discovery and identification of a bronze-ornamented panel by Perlan, REV ART, (125), 1999, pp. 38-43
Authors:
Curie, P
Citation: P. Curie, Newly discovered paintings from Spain's Golden Age in French churches, REV ART, (125), 1999, pp. 44-53
Authors:
Bressani, M
Citation: M. Bressani, Labrouste's project for the tomb of Napoleon - A symbolic interpretation of Romantic architecture, REV ART, (125), 1999, pp. 54-63
Authors:
Bardin, C
Citation: C. Bardin, The early history of the Daum glassworks in Nancy, REV ART, (125), 1999, pp. 64-70
Authors:
Prat, LA
Citation: La. Prat, Theodore Chasseriau - Rediscovered works, REV ART, (125), 1999, pp. 71-77
Authors:
Weigert, L
Citation: L. Weigert, The rhetoric of power in the 'Bayeaux Tapestry', REV ART, (125), 1999, pp. 78-78
Authors:
Crepin-Leblond, T
Citation: T. Crepin-leblond, Renaissance cassoni. Masterpieces of early Italian art - Painted marriage chests, 1400-1550, REV ART, (125), 1999, pp. 78-79
Authors:
Allard, S
Citation: S. Allard, Vasari's Florence. Artists and literati at the Medicean court, REV ART, (125), 1999, pp. 79-79
Authors:
Allard, S
Citation: S. Allard, Leonardo da Vinci. Origins of a genius, REV ART, (125), 1999, pp. 79-80
Authors:
Allard, S
Citation: S. Allard, Lotto: The frescos at Trescore, REV ART, (125), 1999, pp. 80-80
Authors:
Pauwels, Y
Citation: Y. Pauwels, Louis Le Vau, architect, vol 1, The residences and hotels particuliers of Paris, REV ART, (125), 1999, pp. 80-81
Citation: Nicholas Poussin. The early years in Rome, REV ART, (125), 1999, pp. 81-81
Authors:
Le Pas de Secheval, A
Citation: A. Le Pas De Secheval, The closed and open choir. From medieval to Tridentine church, REV ART, (125), 1999, pp. 81-81
Authors:
Jobert, B
Citation: B. Jobert, Letters from Ingres to Marcotte d'Argenteuil, REV ART, (125), 1999, pp. 82-83
Authors:
Jobert, B
Citation: B. Jobert, Engraved on steel: The history of picture production using steel plates, REV ART, (125), 1999, pp. 83-83
Authors:
Minnaert, JB
Citation: Jb. Minnaert, Faubourg Saint-Antoine - Its 2 faces, REV ART, (125), 1999, pp. 83-84
Authors:
Hamon, F
Citation: F. Hamon, A collection of architectural documents from the Centre George Pompidou, REV ART, (125), 1999, pp. 84-84
Authors:
Hamon, F
Citation: F. Hamon, The pitiful state of French historic monuments. Andre Malraux and the parliamentary debates (1960-1968), REV ART, (125), 1999, pp. 84-85
Authors:
Marcilhacy, PP
Citation: Pp. Marcilhacy, Ambroise Baudry: An architect's Egypt (1838-1906), REV ART, (125), 1999, pp. 84-84
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Soviet Socialist Realism during the Zhdanov era (1947-1953), vol 1, The fine-arts and their institutions, REV ART, (125), 1999, pp. 85-85
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Sculpture since 1945, REV ART, (125), 1999, pp. 85-86
Authors:
Rinuy, PL
Citation: Pl. Rinuy, Soviet Socialist Realism during the Zdhanov era (1947-1953), vol 2, Its application at home and exportation abroad, REV ART, (125), 1999, pp. 85-85