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Results: 1-25/302
Authors:
Hatt, M
Citation: M. Hatt, Sculpting and lynching: The making and unmaking of the Black citizen in late nineteenth-century America, OX ART J, 24(1), 2001, pp. 1-22
Authors:
Chametzky, P
Citation: P. Chametzky, Paul Westheim in Mexico: A cosmopolitan 'Man contemplating the Heavens', OX ART J, 24(1), 2001, pp. 23-44
Authors:
Malvern, S
Citation: S. Malvern, War tourisms: 'Englishness,' art and the First World War, OX ART J, 24(1), 2001, pp. 45-66
Authors:
Gronberg, T
Citation: T. Gronberg, The inner man: Interiors and masculinity in early twentieth-century Vienna, OX ART J, 24(1), 2001, pp. 67-88
Authors:
Harris, S
Citation: S. Harris, Coup d'oeil (The life and work of Claude Cahun), OX ART J, 24(1), 2001, pp. 89-112
Authors:
Ofield, S
Citation: S. Ofield, Wrestling with Francis Bacon (Understanding Two Figures), OX ART J, 24(1), 2001, pp. 113-130
Authors:
Lobel, M
Citation: M. Lobel, Technology envisioned: Lichtenstein's monocularity, OX ART J, 24(1), 2001, pp. 131-154
Authors:
Berghaus, G
Citation: G. Berghaus, Mario Sironi and Italian Modernism: Art and politics under Fascism, OX ART J, 24(1), 2001, pp. 157-162
Authors:
Goodman, J
Citation: J. Goodman, Necklines: The art of Jacques-Louis David after the Terror, OX ART J, 24(1), 2001, pp. 162-176
Authors:
Goodman, J
Citation: J. Goodman, Facing the public: Portraiture in the aftermath of the French Revolution, OX ART J, 24(1), 2001, pp. 162-176
Authors:
McClellan, A
Citation: A. Mcclellan, The life and death of a royal monument: Bouchardon's 'Louis XV', OX ART J, 23(2), 2000, pp. 3-27
Authors:
Grosskurth, B
Citation: B. Grosskurth, Shifting monuments: Falconet's 'Peter the Great' between Diderot and Eisenstein, OX ART J, 23(2), 2000, pp. 31-48
Authors:
Jollet, E
Citation: E. Jollet, Between allegory and topography: the project for a statue to Louis XVI in Brest (1785-1786) and the question of the pedestal in public statuary in Eighteenth-century France, OX ART J, 23(2), 2000, pp. 51-77
Authors:
Forbes, D
Citation: D. Forbes, 'Dodging and watching the natural incidents of the peasantry': Genre painting in Scotland 1780-1830, OX ART J, 23(2), 2000, pp. 81-94
Authors:
Codell, JF
Citation: Jf. Codell, Righting the Victorian artist: The Redgraves' A 'Century of painters of the English School' and the serialisation of art history, OX ART J, 23(2), 2000, pp. 97-119
Authors:
Arscott, C
Citation: C. Arscott, Convict labour: Masking and interchangeability in Victorian prison scenes, OX ART J, 23(2), 2000, pp. 123-142
Authors:
Gretton, T
Citation: T. Gretton, Difference and competition: the imitation and reproduction of fine art in a nineteenth-century illustrated weekly news magazine (Le Monde Illustre), OX ART J, 23(2), 2000, pp. 143-162
Authors:
Carter, W
Citation: W. Carter, Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals, OX ART J, 23(2), 2000, pp. 165-171
Authors:
Carter, W
Citation: W. Carter, Mural painting and social revolution in Mexico, 1920-1940: Art of the new order, OX ART J, 23(2), 2000, pp. 165-171
Authors:
San Juan, RM
Citation: Rm. San Juan, Quoting Caravaggio: Contemporary art, preposterous history, OX ART J, 23(2), 2000, pp. 171-177
Authors:
San Juan, RM
Citation: Rm. San Juan, The self-aware image: An insight into early modern meta-painting, OX ART J, 23(2), 2000, pp. 171-177
Authors:
Jones, A
Citation: A. Jones, Reading August Sander's archive, OX ART J, 23(1), 2000, pp. 1-22
Authors:
Franklin, PB
Citation: Pb. Franklin, Object choice: Marcel Duchamp's 'Fountain' and the art of queer art history, OX ART J, 23(1), 2000, pp. 23-50
Authors:
Greeley, RA
Citation: Ra. Greeley, Painting Mexican identities: Nationalism and gender in the work of Maria Izquierdo, OX ART J, 23(1), 2000, pp. 51-72
Authors:
Rampley, M
Citation: M. Rampley, In search of cultural history: Anselm Kiefer and the ambivalence of modernism, OX ART J, 23(1), 2000, pp. 73-96