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Results: 26-50/302
Authors:
Taggard, MN
Citation: Mn. Taggard, Picturing intimacy in an Spanish Golden Age convent, OX ART J, 23(1), 2000, pp. 97-112
Authors:
Wright, BS
Citation: Bs. Wright, 'That other historian, the illustrator': Voices and vignettes in mid-nineteenth century France, OX ART J, 23(1), 2000, pp. 113-136
Authors:
Hatt, M
Citation: M. Hatt, Excitable speech: A politics of the performative, OX ART J, 23(1), 2000, pp. 139-146
Authors:
Steyn, J
Citation: J. Steyn, Caught by history: Holocaust effects in contemporary art, literature, and theory, OX ART J, 23(1), 2000, pp. 147-150
Authors:
Lee, AW
Citation: Aw. Lee, Diego Rivera as epic modernist, OX ART J, 23(1), 2000, pp. 151-155
Authors:
Lee, AW
Citation: Aw. Lee, Posada's broadsheets: Mexican popular imagery, 1890-1910, OX ART J, 23(1), 2000, pp. 151-155
Authors:
Falconer, M
Citation: M. Falconer, 'Changing New York', with an introductory essay by Bonnie Yochelson, OX ART J, 23(1), 2000, pp. 155-157
Authors:
Boyanoski, C
Citation: C. Boyanoski, British painting 1800-1990 in Australian and New Zealand public collections, OX ART J, 23(1), 2000, pp. 158-164
Authors:
Boyanoski, C
Citation: C. Boyanoski, Art in Australia: From colonization to postmodernism, OX ART J, 23(1), 2000, pp. 158-164
Authors:
Boyanoski, C
Citation: C. Boyanoski, In place (out of time) - Contemporary art in Australia, OX ART J, 23(1), 2000, pp. 158-164
Authors:
Boyanoski, C
Citation: C. Boyanoski, New worlds from old: 19th century Australian & American landscapes, OX ART J, 23(1), 2000, pp. 158-164
Authors:
McTighe, S
Citation: S. Mctighe, The Academy and the limits of painting in Seventeenth century France, OX ART J, 23(1), 2000, pp. 164-167
Authors:
Wrigley, R
Citation: R. Wrigley, The art of dress: Fashion in England and France 1750-1820, OX ART J, 23(1), 2000, pp. 167-170
Authors:
Wagner, AM
Citation: Am. Wagner, Bourgeois prehistory, or the ransom of fantasies, OX ART J, 22(2), 1999, pp. 3-23
Authors:
Fer, B
Citation: B. Fer, Objects beyond objecthood (On Louise Bourgeois), OX ART J, 22(2), 1999, pp. 25-36
Authors:
Potts, A
Citation: A. Potts, Louise Bourgeois - Sculptural confrontations, OX ART J, 22(2), 1999, pp. 37-53
Authors:
Nixon, M
Citation: M. Nixon, Eating words (Louise Bourgeois's The 'Destruction of the Father' and 'He disappeared into complete silence'), OX ART J, 22(2), 1999, pp. 55-70
Authors:
Pollock, G
Citation: G. Pollock, Old bones and cocktail dresses: Louise Bourgeois and the question of age, OX ART J, 22(2), 1999, pp. 71-100
Authors:
Bal, M
Citation: M. Bal, Narrative inside out: Louise Bourgeois' spider as theoretical object, OX ART J, 22(2), 1999, pp. 101-126
Authors:
Brighton, A
Citation: A. Brighton, Sensation: Young British artists from Saatchi collection, OX ART J, 22(2), 1999, pp. 129-133
Authors:
Lewis, R
Citation: R. Lewis, Orientalism: History, theory and the arts, OX ART J, 22(2), 1999, pp. 133-136
Authors:
Sheehy, J
Citation: J. Sheehy, Visual politics: The representation of Ireland 1750-1930, OX ART J, 22(2), 1999, pp. 136-140
Authors:
Leathlean, H
Citation: H. Leathlean, Civilizing rituals: Inside public art museums, OX ART J, 22(2), 1999, pp. 141-144
Authors:
Thomas, A
Citation: A. Thomas, Defining the renaissance virtuosa: Women artists and the language of art history and criticism, OX ART J, 22(2), 1999, pp. 144-153
Authors:
Thomas, A
Citation: A. Thomas, Women and art in early modern Europe: Patrons, collectors, and connoisseurs, OX ART J, 22(2), 1999, pp. 144-153