Citation: E. Ender, "Une femme qui reve n'est pas tout a fait une femmes": The heroine's identity crisis in George Sand's 'Lelia', NINE-CT FR, 29(3-4), 2001, pp. 226-246
Citation: D. Laporte, "Ne m'appelez donc jamais femme auteur": Deconstruction and denial of the sentimental novel in the works of George Sand, NINE-CT FR, 29(3-4), 2001, pp. 247-255
Citation: A. Jamison, Any where out of this verse: Baudelaire's prose poetics and the aestheticsof transgression, NINE-CT FR, 29(3-4), 2001, pp. 256-286
Citation: F. Goulesque, Poetic impressionism in the works of Marie Krysinska: The aesthetics of ambiguity and feminist tactics, NINE-CT FR, 29(3-4), 2001, pp. 318-333
Citation: Cs. Brosman, Resonant themes: Literature, history, and the arts in nineteenth- and twentieth-century Europe, NINE-CT FR, 29(3-4), 2001, pp. 338-339
Citation: D. Kelly, Eve's proud descendants: Four women writers and Republican politics in nineteenth-century France, NINE-CT FR, 29(3-4), 2001, pp. 341-343
Citation: Jp. Ribner, James Tissot: Victorian life/modern love. Exhibition catalogue, The American-Federation-of-Arts and Yale-Center-for-British-Art, NINE-CT FR, 29(3-4), 2001, pp. 348-350