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Results: 1-25/142
Authors:
Koegel, J
Citation: J. Koegel, Spanish and French mission music in colonial North America, J ROY MUSIC, 126, 2001, pp. 1-53
Authors:
Cook, N
Citation: N. Cook, Editorial (JRMA is now available online as well as in print), J ROY MUSIC, 126, 2001, pp. R3-R3
Authors:
Wagstaff, G
Citation: G. Wagstaff, Franciscan mission music in California, c.1770-1830: Chant, liturgical andpolyphonic traditions, J ROY MUSIC, 126, 2001, pp. 54-82
Authors:
Dibben, N
Citation: N. Dibben, Pulp, pornography and spectatorship: Subject matter and subject position in Pulp's album 'This is hardcore', J ROY MUSIC, 126, 2001, pp. 83-106
Authors:
Grimley, DM
Citation: Dm. Grimley, Carl Nielsen to his contemporaries, J ROY MUSIC, 126, 2001, pp. 107-117
Authors:
Scherzinger, M
Citation: M. Scherzinger, Music, modernity, and the global imagination, J ROY MUSIC, 126, 2001, pp. 117-141
Authors:
Everist, M
Citation: M. Everist, Reception and recomposition in the polyphonic conductus-cum-caudis: The Metz fragment, J ROY MUSIC, 125, 2000, pp. 135-163
Authors:
Garratt, J
Citation: J. Garratt, Prophets looking backwards: German romantic historicism and the representation of renaissance music, J ROY MUSIC, 125, 2000, pp. 164-204
Authors:
Audley, B
Citation: B. Audley, The provenance of the 'Londonderry Air', J ROY MUSIC, 125, 2000, pp. 205-245
Authors:
Marston, N
Citation: N. Marston, Schubert's homecoming, J ROY MUSIC, 125, 2000, pp. 248-270
Authors:
Glauert, A
Citation: A. Glauert, 'Ich singe, wie der Vogel singt': Reflections on nature and genre in Wolf's setting of Goethe's Der 'Sanger', J ROY MUSIC, 125, 2000, pp. 271-286
Authors:
Fabris, D
Citation: D. Fabris, Roman monody, cantata and opera from the circles around Cardinal Montalto, J ROY MUSIC, 125, 2000, pp. 287-299
Authors:
Carter, T
Citation: T. Carter, Salamone Rossi: Jewish musician in renaissance Mantua, J ROY MUSIC, 125, 2000, pp. 299-306
Authors:
Johnstone, HD
Citation: Hd. Johnstone, The John Marsh journals: The life and times of a gentleman composer (1752-1828), J ROY MUSIC, 125, 2000, pp. 306-314
Authors:
Pasler, J
Citation: J. Pasler, Bela Bartok and turn-of-the-century Budapest, J ROY MUSIC, 125, 2000, pp. 314-322
Authors:
Rosteck, J
Citation: J. Rosteck, Satie the bohemian: From cabaret to concert hall, J ROY MUSIC, 125, 2000, pp. 322-336
Allies in the cause of Italian music: Schutz, Prince Johan George II and musical politics in Dresden
Authors:
Frandsen, ME
Citation: Me. Frandsen, Allies in the cause of Italian music: Schutz, Prince Johan George II and musical politics in Dresden, J ROY MUSIC, 125, 2000, pp. 1-40
Authors:
Downes, S
Citation: S. Downes, Eros in the metropolis: Bartok's The 'Miraculous Mandarin', J ROY MUSIC, 125, 2000, pp. 41-61
Authors:
Clarke, D
Citation: D. Clarke, The meaning of 'lateness': Mediations of work, self and society in Tippett's Triple Concerto, J ROY MUSIC, 125, 2000, pp. 62-92
Authors:
Metzer, D
Citation: D. Metzer, Musical decay: Luciano Berio's 'Rendering' and John Cage's 'Europera 5', J ROY MUSIC, 125, 2000, pp. 93-114
Authors:
Holman, P
Citation: P. Holman, The acoustic world of early modern England: Attending to the o-factor, J ROY MUSIC, 125, 2000, pp. 115-118
Authors:
Hunter, M
Citation: M. Hunter, The national court theatre in Mozart's Vienna: Sources and documents, 1783-1792, J ROY MUSIC, 125, 2000, pp. 118-126
Authors:
Hunter, M
Citation: M. Hunter, Antonio Salieri and Viennese opera, J ROY MUSIC, 125, 2000, pp. 118-126
Authors:
Cooper, B
Citation: B. Cooper, Complete letters, vols 1-7, J ROY MUSIC, 125, 2000, pp. 127-131
Citation: The Dent medal (Awarded to Gianmario Borio), J ROY MUSIC, 125, 2000, pp. 132-133