AAAAAA
Results: 1-25/149
Authors:
Cemgil, AT
Kappen, B
Desain, P
Honing, H
Citation: At. Cemgil et al., On tempo tracking: Tempogram representation and Kalman filtering, J NEW M RES, 29(4), 2000, pp. 259-273
Authors:
Schneider, A
Citation: A. Schneider, Inharmonic sounds: Implications as to << pitch >>, << timbre >> and << consonance >>, J NEW M RES, 29(4), 2000, pp. 275-301
Authors:
Cambouropoulos, E
Widmer, G
Citation: E. Cambouropoulos et G. Widmer, Automated motivic analysis via melodic clustering, J NEW M RES, 29(4), 2000, pp. 303-317
Authors:
Rasch, R
Citation: R. Rasch, The unification of tonal systems, or about the circle of fifths, J NEW M RES, 29(4), 2000, pp. 319-334
Authors:
Madison, G
Citation: G. Madison, Properties of expressive variability patterns in music performances, J NEW M RES, 29(4), 2000, pp. 335-356
Authors:
Sundberg, J
Citation: J. Sundberg, Four years of research on music and motion, J NEW M RES, 29(3), 2000, pp. 183-185
Authors:
Camurri, A
Coletta, P
Ricchetti, M
Volpe, G
Citation: A. Camurri et al., Expressiveness and physicality in interaction, J NEW M RES, 29(3), 2000, pp. 187-198
Authors:
Friberg, A
Sundberg, J
Fryden, L
Citation: A. Friberg et al., Music from motion: Sound level envelopes of tones expressing human locomotion, J NEW M RES, 29(3), 2000, pp. 199-210
Authors:
Bresin, R
Battel, GU
Citation: R. Bresin et Gu. Battel, Articulation strategies in expressive piano performance - Analysis of legato, staccato, and repeated notes in performances of the Andante movement ofMozart's Sonata in G major (K 545), J NEW M RES, 29(3), 2000, pp. 211-224
Authors:
Dahl, S
Citation: S. Dahl, The playing of an accent - Preliminary observations from temporal and kinematic analysis of percussionists, J NEW M RES, 29(3), 2000, pp. 225-233
Authors:
Bresin, CE
Citation: Ce. Bresin, Deriving vowel-to-vowel transitions with the Apex articulatory model, J NEW M RES, 29(3), 2000, pp. 235-244
Authors:
Ungvary, T
Vertegaal, R
Citation: T. Ungvary et R. Vertegaal, Designing musical Cyberinstruments with body and soul in mind, J NEW M RES, 29(3), 2000, pp. 245-255
Authors:
Brattico, E
Sassanelli, F
Citation: E. Brattico et F. Sassanelli, Perception and musical preferences in Wishart's work, J NEW M RES, 29(2), 2000, pp. 107-119
Authors:
Trueman, D
Cook, P
Citation: D. Trueman et P. Cook, BoSSA: The deconstructed violin reconstructed, J NEW M RES, 29(2), 2000, pp. 121-130
Authors:
Timmers, R
Ashley, R
Desain, P
Heijink, H
Citation: R. Timmers et al., The influence of musical context on tempo rubato, J NEW M RES, 29(2), 2000, pp. 131-158
Authors:
Juhasz, Z
Citation: Z. Juhasz, A model of variation in the music of a Hungarian ethnic group, J NEW M RES, 29(2), 2000, pp. 159-172
Authors:
Di Scipio, A
Citation: A. Di Scipio, An analysis of Jean-Claude Risset's contours, J NEW M RES, 29(1), 2000, pp. 1-21
Authors:
Cohen, D
Wagner, N
Citation: D. Cohen et N. Wagner, Concurrence and nonconcurrence between learned and natural schemata: The case of J. S. Bach's saraband in C minor for cello solo, J NEW M RES, 29(1), 2000, pp. 23-36
Authors:
Moelants, D
Citation: D. Moelants, Statistical analysis of written and performed music. A study of compositional principles and problems of coordination and expression in "punctual" serial music, J NEW M RES, 29(1), 2000, pp. 37-60
Authors:
Shmulevich, I
Povel, DJ
Citation: I. Shmulevich et Dj. Povel, Measures of temporal pattern complexity, J NEW M RES, 29(1), 2000, pp. 61-69
Authors:
Juhasz, Z
Citation: Z. Juhasz, Contour analysis of Hungarian folk music in a multidimensional metric-space, J NEW M RES, 29(1), 2000, pp. 71-83
Authors:
Bora, U
Tufan, S
Bilgen, S
Citation: U. Bora et al., A tool for comparison of piano performances, J NEW M RES, 29(1), 2000, pp. 85-99
Authors:
Aigrain, P
Citation: P. Aigrain, Untitled - Introduction, J NEW M RES, 28(4), 1999, pp. 269-270
Authors:
Aigrain, P
Citation: P. Aigrain, New applications of content processing of music, J NEW M RES, 28(4), 1999, pp. 271-280
Authors:
Rossignol, S
Rodet, C
Soumagne, J
Collette, JL
Depalle, P
Citation: S. Rossignol et al., Automatic characterisation of musical signals: Feature extraction and temporal segmentation, J NEW M RES, 28(4), 1999, pp. 281-295