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Results: 26-50/149
Authors:
Lepain, P
Citation: P. Lepain, Polyphonic pitch extraction from musical signals, J NEW M RES, 28(4), 1999, pp. 296-309
Authors:
Carreras, F
Leman, M
Lesaffre, M
Citation: F. Carreras et al., Automatic harmonic description of musical signals using schema-based chorddecomposition, J NEW M RES, 28(4), 1999, pp. 310-333
Authors:
Rolland, PY
Citation: Py. Rolland, Discovering patterns in musical sequences, J NEW M RES, 28(4), 1999, pp. 334-350
Authors:
Camurri, A
Citation: A. Camurri, Music content processing and multimedia: Case studies and emerging applications of intelligent interactive systems, J NEW M RES, 28(4), 1999, pp. 351-363
Authors:
Lindsay, A
Kriechbaum, W
Citation: A. Lindsay et W. Kriechbaum, There's more than one way to hear it: Multiple representations of music inMPEG-7, J NEW M RES, 28(4), 1999, pp. 364-372
Authors:
Tervaniemi, M
Leman, M
Citation: M. Tervaniemi et M. Leman, Special Issue: Cognitive neuromusicology - Introduction, J NEW M RES, 28(3), 1999, pp. 185-185
Authors:
Leman, M
Citation: M. Leman, Relevance of neuromusicology for music research, J NEW M RES, 28(3), 1999, pp. 186-199
Authors:
Tervaniemi, M
van Zuijen, TL
Citation: M. Tervaniemi et Tl. Van Zuijen, Methodologies of brain research in cognitive musicology, J NEW M RES, 28(3), 1999, pp. 200-208
Authors:
Dalla Bella, S
Peretz, I
Citation: S. Dalla Bella et I. Peretz, Music agnosias: Selective impairments of music recognition after brain damage, J NEW M RES, 28(3), 1999, pp. 209-216
Authors:
Samson, S
Citation: S. Samson, Musical function and temporal lobe structures: A review of brain lesion studies, J NEW M RES, 28(3), 1999, pp. 217-228
Authors:
Zatorre, RJ
Citation: Rj. Zatorre, Brain imaging studies of musical perception and musical imagery, J NEW M RES, 28(3), 1999, pp. 229-236
Authors:
Tervaniemi, M
Citation: M. Tervaniemi, Pre-attentive processing of musical information in the human brain, J NEW M RES, 28(3), 1999, pp. 237-245
Authors:
Besson, M
Citation: M. Besson, The musical brain: Neural substrates of music perception, J NEW M RES, 28(3), 1999, pp. 246-256
Authors:
Krause, CM
Citation: Cm. Krause, Event-related desynchronization (ERD) and synchronization (ERS) during auditory information processing, J NEW M RES, 28(3), 1999, pp. 257-265
Authors:
Schoner, B
Cooper, C
Douglas, C
Gershenfed, N
Citation: B. Schoner et al., Data-driven modeling of acoustical instruments, J NEW M RES, 28(2), 1999, pp. 81-89
Authors:
Hamman, M
Citation: M. Hamman, From symbol to semiotic: Representation, signification, and the composition of music interaction, J NEW M RES, 28(2), 1999, pp. 90-104
Authors:
Ramalho, GL
Rolland, PY
Ganascia, JG
Citation: Gl. Ramalho et al., An artificially intelligent jazz performer, J NEW M RES, 28(2), 1999, pp. 105-129
Authors:
Paradiso, JA
Citation: Ja. Paradiso, The brain opera technology: New instruments and gestural sensors for musical interaction and performance, J NEW M RES, 28(2), 1999, pp. 130-149
Authors:
Ponsford, D
Wiggins, G
Mellish, C
Citation: D. Ponsford et al., Statistical learning of harmonic movement, J NEW M RES, 28(2), 1999, pp. 150-177
Authors:
Kimura, M
Citation: M. Kimura, How to produce subharmonics on the violin, J NEW M RES, 28(2), 1999, pp. 178-184
Authors:
Moelants, D
Citation: D. Moelants, Special issue: Foundation of rhythm perception - Introduction, J NEW M RES, 28(1), 1999, pp. 3-4
Authors:
Todd, NPM
O'Boyle, DJ
Lee, CS
Citation: Npm. Todd et al., A sensory-motor theory of rhythm, time perception and beat induction, J NEW M RES, 28(1), 1999, pp. 5-28
Authors:
Desain, P
Honing, H
Citation: P. Desain et H. Honing, Computational models of beat induction: The rule-based approach, J NEW M RES, 28(1), 1999, pp. 29-42
Authors:
van Noorden, L
Moelants, D
Citation: L. Van Noorden et D. Moelants, Resonance in the perception of musical pulse, J NEW M RES, 28(1), 1999, pp. 43-66
Authors:
Boltz, MG
Citation: Mg. Boltz, The processing of melodic and temporal information: Independent or unifieddimensions?, J NEW M RES, 28(1), 1999, pp. 67-79