Citation: M. Brzoska, OPERA COMPOSITION AS A PROCESS - PROCEEDI NGS OF THE 1995 BOCHUM-SYMPOSIUM - GERMAN - BREIG,W, Die Musikforschung, 50(4), 1997, pp. 453-454
Citation: A. Hulanicki et al., DETERMINATION OF TOTAL MAGNESIUM IN BIOLOGICAL SAMPLES USING ELECTROTHERMAL ATOMIC-ABSORPTION SPECTROMETRY, Spectrochimica acta, Part B: Atomic spectroscopy, 50(13), 1995, pp. 1717-1724
Citation: M. Brzoska, PROCEEDINGS OF THE COLLOQUIUM ON MUSICAL EXCHANGE BETWEEN ITALY AND GERMANY SINCE 1850 - GERMAN - LIPPMANN,F, Die Musikforschung, 48(2), 1995, pp. 204-205
Citation: M. Brzoska, WITHIN AND WITHOUT - ESSAYS ON MUSIC, MUS ICAL LIFE AND AESTHETICS - GERMAN - KAUFMANN,H, Die Musikforschung, 48(1), 1995, pp. 99-100
Citation: M. Brzoska, NUCLEAR-WEAPONS PROLIFERATION AND CHANGE IN THE INTERNATIONAL SYSTEM - NEW THREATS AND THEIR DIFFERENT FORMS - GERMAN - KRAUSE,J, Journal of peace research, 32(2), 1995, pp. 246-247
Citation: M. Brzoska, GLOBAL TRENDS 93-94 - DATA FOR INTERNATIONAL DEVELOPMENT - GERMAN - STIFTUNG-ENTWICKFUNG-FRIEDEN, Journal of peace research, 32(1), 1995, pp. 126-126
Citation: M. Brzoska, SCUDS OR BUTTER - THE POLITICAL-ECONOMY OF ARMS-CONTROL IN THE MIDDLE-EAST - SADOVSKY,YM, Journal of peace research, 31(4), 1994, pp. 471-472
Citation: M. Brzoska, SCUDS OR BUTTER - THE POLITICAL-ECONOMY OF ARMS-CONTROL IN THE MIDDLE-EAST - SADOVSKY,YM, Journal of peace research, 31(4), 1994, pp. 471-472
Citation: M. Brzoska et Fs. Pearson, DEVELOPMENTS IN THE GLOBAL SUPPLY OF ARMS - OPPORTUNITY AND MOTIVATION, The Annals of the American Academy of Political and Social Science, 535, 1994, pp. 58-72
Citation: M. Brzoska, REALISM, IDEALISM AND INTERNATIONAL-POLIT ICS - A REINTERPRETATION - GRIFFITH,M, Politische Vierteljahresschrift, 34(4), 1993, pp. 776-777
Citation: M. Brzoska, SYSTEMS IN CRISIS - NEW IMPERATIVES OF HIGH POLITICS AT CENTURY END -DORAN,CF, Politische Vierteljahresschrift, 34(2), 1993, pp. 381-382
Citation: M. Brzoska, HALLEVY,FROMENTAL LA 'JUIVE' - REVIEWS IN THE PARISIAN PRESS, 1835 - FRENCH - LEICHGALLAND,L, Die Musikforschung, 46(2), 1993, pp. 218-218