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Results: 1-24 |
Results: 24

Authors: Bramley, I
Citation: I. Bramley, Reorganized arts funding in England - Editorial, DANCE THEAT, 17(2), 2001, pp. U2-U2

Authors: Bramley, I
Citation: I. Bramley, Dame Ninette de Valois - Obituary, DANCE THEAT, 17(1), 2001, pp. 2-2

Authors: Bramley, I
Citation: I. Bramley, Taking flight (British dance director Mark Murphy is leaving the world of choreography), DANCE THEAT, 17(1), 2001, pp. 2-2

Authors: Bramley, I Baldwin, M
Citation: I. Bramley et M. Baldwin, The importance of being Mark (Choreographer Mark Baldwin talks about his latest dance piece The 'Bird Sings with its Fingers'), DANCE THEAT, 17(1), 2001, pp. 30-32

Authors: Bramley, I
Citation: I. Bramley, The broader issue (Dance can assert a strong presence within the many collaborative and interactive environments that it finds thrust upon it or thatit chooses to inhabit), DANCE THEAT, 16(4), 2001, pp. 2-2

Authors: Bramley, I
Citation: I. Bramley, High art? No thank you. (Stephen Daldry's 'Billy Elliot' and Matthew Bourne's The 'Car Man', how dance interfaces with a popular audience), DANCE THEAT, 16(4), 2001, pp. 44-47

Authors: Bramley, I
Citation: I. Bramley, Educating for the future (The need to nurture an appreciation of dance at an early age), DANCE THEAT, 16(3), 2000, pp. 2-2

Authors: Bramley, I
Citation: I. Bramley, An uncertain future for the past (The current situation at the Martha-Graham-Center-of-Contemporary-Dance underlines the uncertain conditions under which dance's heritage is maintained), DANCE THEAT, 16(2), 2000, pp. 2-2

Authors: Bramley, I Teshigawara, S
Citation: I. Bramley et S. Teshigawara, Standing still to move (An interview with Saburo Teshigawara), DANCE THEAT, 16(2), 2000, pp. 32-35

Authors: Bramley, I
Citation: I. Bramley, Independent recognition (The Arts-Council's new Dance Artist Fellowships), DANCE THEAT, 16(1), 2000, pp. 3-3

Authors: Mackrell, J Bramley, I
Citation: J. Mackrell et I. Bramley, Critical responses (An interview with Ian Bramley), DANCE THEAT, 16(1), 2000, pp. 38-41

Authors: Bramley, I
Citation: I. Bramley, Backwards and forwards (Hoping for a thriving future for dance in this millennium), DANCE THEAT, 15(4), 2000, pp. 3-3

Authors: Bramley, I Snaith, Y
Citation: I. Bramley et Y. Snaith, To the max (Yolande Snaith on movies, motherhood and 'Maximum Mahcine'), DANCE THEAT, 15(4), 2000, pp. 20-23

Authors: Bramley, I
Citation: I. Bramley, Practising theory (The academic study of dance), DANCE THEAT, 15(3), 1999, pp. 3-3

Authors: Bramley, I
Citation: I. Bramley, Animating Disney (Garth Fagan on choreographing The 'Lion King'), DANCE THEAT, 15(3), 1999, pp. 22-25

Authors: Bramley, I McGregor, W
Citation: I. Bramley et W. Mcgregor, In the flesh (An interview with Wayne McGregor), DANCE THEAT, 15(3), 1999, pp. 30-33

Authors: Bramley, I
Citation: I. Bramley, Motion pictures (The interaction between the cinema and dance), DANCE THEAT, 15(2), 1999, pp. 3-3

Authors: Bramley, I Linehan, C
Citation: I. Bramley et C. Linehan, Textured rhythm (An interview with London-based choreographer Charles Linehan), DANCE THEAT, 15(2), 1999, pp. 16-19

Authors: Bramley, I
Citation: I. Bramley, Spring loaded: Edited highlights (A personal selection from the festival), DANCE THEAT, 15(2), 1999, pp. 30-33

Authors: Bramley, I
Citation: I. Bramley, Throwing stones (The Greenhouse-Effect Conference, September 17-20, 1998), DANCE THEAT, 15(1), 1999, pp. 41-42

Authors: Bramley, I
Citation: I. Bramley, Laban Center London: past, present and future, DANCE THEAT, 14(4), 1999, pp. 2-3

Authors: Bramley, I
Citation: I. Bramley, Return of the narrative (The success and popularity of the choreographies of Matthew Bourne and Mark Murphy are due to their use of narrative taught by their experience of film and TV), DANCE THEAT, 14(4), 1999, pp. 26-29

Authors: Bramley, I
Citation: I. Bramley, The more things change ... (New editorship and design of 'Dance Theatre Journal'), DANCE THEAT, 14(2), 1998, pp. 3-3

Authors: Bramley, I
Citation: I. Bramley, It's showtime, folks! (In quest of the original Bob Fosse), DANCE THEAT, 14(2), 1998, pp. 22
Risultati: 1-24 |